To date, about 70 paintings – most of them quite small – have been completed as part of the Kurt Gödel series (begun in 2015 and ongoing as of 2025). It is comprised of these earlier groups: Three Prolegomena to the Kurt Gödel series; the Incomplete subseries; the subseries A Time-Based Linguistics; the subseries Six Śramana in the Pāli Canon; the Veiled [Meaning] subseries; the Superimposed Interiors subseries; the subseries Alone in Her Palinopsia; the Second Palimpsest subseries; the Non-Object / Non-Objective subseries; and the Three Afterthoughts on the Kurt Gödel series.
Prolegomenon 1. The Faqir: Gödel in Youth, 2022 or 2023. Watercolor on paper, 4 x 6 inches
Prolegomenon 2. The Yogi: Gödel in His Middle Years, 2023. Watercolor, oil, ink, and acrylic on paper, 2 x 4 inches
Prolegomenon 3. The Monk: Gödel’s End (for Gina: a forgotten Bolto miniature), 2023. Watercolor, oil, ink, and acrylic on paper, 2 x 4 inches
1. Composition: Showing the Diagonal Character of Gödel’s Arguments (orig. the Incomplete subseries No. 1), 2017. Watercolor, acrylic, oil, ink, plaster, lacquer on paper, 4 x 6 inches
2. Composition: Demonstrating Inherent Limitations of a Formal Axiomatic System Capable of Modeling Basic Arithmetic (orig. the Incomplete subseries No. 2), 2017, 2022. Watercolor, oil, acrylic, lacquer on paper, altered digitally.
3. Composition: Showing the Inadequacy of Hilbert’s Program (orig. the Incomplete subseries No. 3), 2022. Watercolor, oil, acrylic, lacquer on paper, 4 x 6 inches
4. Composition: Showing that All Algorithms Fail before the Universe of the Natural Numbers (orig. the Incomplete subseries No. 4), 2022. Digital image, no dimensions.
5. Composition; Showing that, Though True, They Are Unprovable (orig. Incomplete subseries No. 5), 2022. Watercolor, oil, acrylic, graphite, lacquer on paper, 4 x 6 inches
6. Composition: Proving the Core Weakness of All Formal Systems (orig. Incomplete subseries No. 6), 2022. Watercolor, oil, acrylic, lacquer on paper
7. Composition: Supporting Tarski’s Theorem on the Formal Undefinability of Truth (orig. Incomplete subseries No. 7), 2022. Watercolor, oil, acrylic, lacquer on paper, 4 x 6 inches
8. Composition: On Church’s Proof of the Unsolveability of the Entscheidungsproblem (Decision-Making) (orig. Incomplete subseries No. 8), 2022. Watercolor, oil, acrylic, lacquer on paper, 4 x 6 inches
9. Composition: Supporting Turing’s Demonstration of the Nonexistence of an Algorithm to Solve the Halting Problem (orig. Incomplete subseries No. 9), 2022. Watercolor, oil, acrylic, lacquer on paper, 4 x 6 inches (gift to Paul Deuter)
10. Composition: Supporting Tolksdorf and Verch’s Demonstration that Deutsch's Fixed-point Condition for a Closed Timelike Curve Can Be Fulfilled to Arbitrary Precision in Any Quantum System Described According to Relativistic Quantum Field Theory on Spacetimes Where Closed Timelike Curves Are Excluded, Casting Doubts on Whether Deutsch's Condition Is Really Characteristic of Quantum Processes Mimicking Closed Timelike Curves in the Sense of General Relativity (orig. Incomplete subseries No. 10), 2022. Watercolor, oil, acrylic, lacquer on paper, 4 x 6 inches
11. A Gödel Metric (orig. A Time-Based Exolinguistics subseries, No. 1), 2017. Watercolor, oil, acrylic, graphite, ink, and lacquer on paper, 2 1/2 x 4 inches
12. A Small Study in Exolinguistics (orig. A Time-Based Exolinguistics subseries, No. 2), March 26, 2017. Watercolor, oil, acrylic, lacquer, graphite, and ink on paper, 2 1/2 x 4 inches
13. A Corollary of the Sapir-Whorf Hypothesis (orig. A Time-Based Exolinguistics subseries, No. 3), March 25, 2017. Watercolor, oil, acrylic, lacquer, graphite, and ink on paper, 5 x 7 inches
14. A Small-Scale Temporal Paradox (orig. A Time-Based Exolinguistics subseries, No. 4), March 25, 2017. Watercolor, oil, acrylic, lacquer, graphite, and ink on paper, 5 x 7 inches
15. A Heptadecagonal Logogram (orig. A Time-Based Exolinguistics subseries, No. 5), March 28, 2017. Gift to Gina. Watercolor, oil, acrylic, lacquer on paper, 2 1/2 x 3 1/2 inches
16. Novikov’s Self-Consistency Principle (destroyed; orig. A Time-Based Exolinguistics subseries, No. 6), date not recorded. Compressed charcoal, chalk, and graphite on paper
17. Fermat’s Principle of Least Time (orig. A Time-Based Exolinguistics subseries, No. 7), date unrecorded. Watercolor, oil, acrylic, lacquer, graphite, and ink on paper
18. A Non-Zero-Sum Game (orig. A Time-Based Exolinguistics subseries, No. 8), 2017. Watercolor, oil, acrylic, and lacquer on paper (dimensions not recorded)
19. A Closed Causal Loop (orig. A Time-Based Exolinguistics subseries, No. 9), 2017, 2021. Watercolor, oil, acrylic, lacquer, graphite, and ink on paper (dimensions not recorded)
20. A Boot-Strap Paradox (orig. A Time-Based Exolinguistics subseries, No. 10), 2022. Watercolor, oil, acrylic, lacquer, graphite, and ink on paper, 4 x 2 inches
21. Another Ontological Paradox (date and dimensions unrecorded; given away, no photograph of the final version). Watercolor on paper
22. Polchinski's Paradox Observed at Ground Level, Presented as a Landscape (orig. A Time-Based Exolinguistics subseries, No. 12), 2017. Watercolor, oil, acrylic, lacquer, graphite, and ink on paper, dimensions unrecorded
23. A Second Study in Exolinguistics (orig. A Time-Based Exolinguistics subseries, No. 13), 2017. Watercolor, acrylic, oil, graphite, ink, and lacquer on paper, 3 x 5 inches
24. A Stress-Energy Tensor (orig. A Time-Based Exolinguistics subseries, No. 14), June 1, 2017. Watercolor, oil, acrylic, lacquer, graphite and ink on paper, 4 x 6 inches
25. Une Onde gravifique Pointcaré (orig. A Time-Based Exolinguistics subseries, No. 15), 2022. Watercolor, oil, acrylic, plaster, graphite, and ink on paper, 4 x 6 inches
25a. A Lamdavacuum Solution (orig. A Time-Based Exolinguistics subseries, No. 16), 2021. Watercolor, oil, acrylic, lacquer, graphite, and ink on paper (dimensions not recorded)
26. Purana Kassaba – Amoralism (orig. Six Śramaṇa in the Pāli Canon, No. 1), 2023. Watercolor and ink on paper, 4 x 6 inches
35. Maniple (orig. Veiled [Meaning] subseries No. 4), 2023. Watercolor, oil, acrylic, lacquer, graphite, and ink on paper
Manipulus, No. 36 (orig. Veiled [Meaning] subseries No. 4), 2023. Watercolor, acrylic, oil, ink, plaster, lacquer on paper, 4 x 6 inches
38. Fano (for Gina), orig. Veiled [Meaning] subseries No. 7), date unrecorded. Watercolor and graphite on paper, 4 x 6 inches
40. Sestace (orig. Veiled [Meaning] subseries No. 9), 2021. Watercolor, oil, acrylic, lacquer, graphite, and ink on paper
41. The Ancient Greek Epigonation (orig. Veiled [Meaning] subseries No. 10), 2023. Watercolor, oil, acrylic, plaster, lacquer, graphite, and ink on paper
42. The Earlier Ancient Greek Encheirion (orig. Veiled [Meaning] subseries No. 11), 2023. Watercolor, oil, acrylic, plaster, lacquer, graphite, and ink on paper.
43. A vestment, in liturgical use from the 12th century, reserved for the bishop (orig. Veiled [Meaning] subseries No. 12), 2023. Watercolor, oil, acrylic, lacquer, plaster, graphite, and ink on paper
44. The Subcinctorium, Another Ornamental Vestment Reserved for the Pope (orig. Veiled[Meaning] subseries No.13), Date unrecorded (probably 2023). Watercolor, oil, acrylic, lacquer, graphite, and ink on paper